The monumental significance of heritage

mestrovicThe 20th century was an era of wars, nation-building and monuments. If there is anyone who connects all these elements then you can point one name without a second thought – Ivan Meštrović. The Croatian master of sculpting, patriot and visionary. He contributed to popularisation of Croatia and all region, and Central and Eastern Europeans remember him as part of their heritage. From June 25th to November 5th 2017, the International Cultural Centre in Kraków hosts an exibition titled “Adriatic Epopee” devoted to the artist.

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Where the heart of Central Europe beats

spiszThere is no multi-culti here, people are Catholic, conservative, vote for right wing parties, just like in Podhale” – explains one of the protagonists of Ludwika Włodek’s book Four Flags, One Address. But Spiš – or Spisz, depending on whom one asks – a tiny historical region in the Carpathian Mountains, located on the territory of Poland and Slovakia, has been home to more ethnicities than just the two main national groups. So is there really no multi-culti?

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Showing the Holocaust through women’s eyes

photo of the girls each of them could be rywka“Mother?! What does it mean? Who is this creature called mother, who with great pleasure suffers and gives birth to a new life…”. These are the words from the diary of Rywka Lipszyc – one of the most mysterious heroines of the Holocaust. Her story is the subject of an exhibit of the Galicia Jewish Museum in Kraków, Poland which is held from 28th June 2017 to 31st March 2018.

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A Ukrainian miracle

pavlova reviewA review of Гніздо горлиці (The Nest of the Turtledove). A film directed by Taras Tkachenko, Ukraine, 2016.

 

“Welcome to Ukraine,” says a border guard with a smile on his face and a bribe in his hand. This is one of the introductory scenes of the film The Nest of the Turtledove. The main character, Daryna, is returning home, pregnant, after working for two years in Italy. She leaves behind tireless work and a relationship with her boss and his constantly unsatisfied mother. At home she is greeted by a parade of empty vodka bottles, an inconsiderate husband and a reckless teenage daughter. Directed by Taras Tkachenko, the film was released in November 2016 in Ukraine and was awarded as the best Ukrainian film at the Odesa Film Festival, already the summer before its premiere.

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A film which divides Poles and Ukrainians

wolynThis piece originally appeared in Issue 1/2017 of New Eastern Europe. Subscribe now.

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